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A Traveling Homeland: The Babylonian Talmud As Diaspora
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A word conventionally imbued with melancholy meanings, "diaspora" has been used variously to describe the cataclysmic historical event of displacement, the subsequent geographical scattering of peoples, or the conditions of alienation abroad and yearning for an ancestral home. But as Daniel Boyarin writes, diaspora may be more constructively construed as a form of cultural hybridity or a mode of analysis. In A Traveling Homeland, he makes the case that a shared homeland or past and traumatic dissociation are not necessary conditions for diaspora and that Jews carry their homeland with them in diaspora, in the form of textual, interpretive communities built around talmudic study.
For Boyarin, the Babylonian Talmud is a diasporist manifesto, a text that produces and defines the practices that constitute Jewish diasporic identity. Boyarin examines the ways the Babylonian Talmud imagines its own community and sense of homeland, and he shows how talmudic commentaries from the medieval and early modern periods also produce a doubled cultural identity. He links the ongoing productivity of this bifocal cultural vision to the nature of the book: as the physical text moved between different times and places, the methods of its study developed through contact with surrounding cultures. Ultimately, A Traveling Homeland envisions talmudic study as the center of a shared Jewish identity and a distinctive feature of the Jewish diaspora that defines it as a thing apart from other cultural migrations.
The crowning achievement of one of Israel's literary masters, Adam Resurrected remains one of the most powerful works of Holocaust fiction ever written. A former circus clown who was spared the gas chamber so that he might entertain thousands of other Jews as they marched to their deaths, Adam Stein is now the ringleader at an asylum in the Negev desert populated solely by Holocaust survivors. Alternately more brilliant than the doctors and more insane than any of the patients, Adam struggles wildly to make sense of a world in which the line between sanity and madness has been irreversibly blurred. With the biting irony of Catch-22, the intellectual vigor of Saul Bellow, and the pathos and humanity that are Kaniuk's hallmarks, Adam Resurrected offers a vision of a modern hell that devastates even as it inches toward redemption.
The first comprehensive history of American Jewish philanthropy and its influence on democracy and capitalism
For years, American Jewish philanthropy has been celebrated as the proudest product of Jewish endeavors in the United States, its virtues extending from the local to the global, the Jewish to the non-Jewish, and modest donations to vast endowments. Yet, as Lila Corwin Berman illuminates in The American Jewish Philanthropic Complex, the history of American Jewish philanthropy reveals the far more complicated reality of changing and uneasy relationships among philanthropy, democracy, and capitalism. With a fresh eye and lucid prose, and relying on previously untapped sources, Berman shows that from its nineteenth-century roots to its apex in the late twentieth century, the American Jewish philanthropic complex tied Jewish institutions to the American state. The government's regulatory efforts--most importantly, tax policies--situated philanthropy at the core of its experiments to maintain the public good without trammeling on the private freedoms of individuals. Jewish philanthropic institutions and leaders gained financial strength, political influence, and state protections within this framework. However, over time, the vast inequalities in resource distribution that marked American state policy became inseparable from philanthropic practice. By the turn of the millennium, Jewish philanthropic institutions reflected the state's growing investment in capitalism against democratic interests. But well before that, Jewish philanthropy had already entered into a tight relationship with the governing forces of American life, reinforcing and even transforming the nation's laws and policies. The American Jewish Philanthropic Complex uncovers how capitalism and private interests came to command authority over the public good, in Jewish life and beyond.
Architects of Terror: Paranoia, Conspiracy and Anti-Semitism in Franco's Spain
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A TIMES HISTORY BOOK OF THE YEAR
From the preeminent historian of 20th century Spain Paul Preston, Architects of Terror is a new history of how paranoia, conspiracy and anti-Semitism was used to justify the military coup of 1936 and enabled the construction of a dictatorship built on violence and persecution.
It is the previously untold story of how antisemitic beliefs were weaponised to justify and propagate the Franco overthrow of liberal Spain.
The Spanish military coup of 1936 was launched to overturn the social and economic reforms of the democratic Second Republic, and its educational and cultural challenges to the established order. The consequent civil war was fought in the interests of the landowners, industrialists, bankers, clerics and army officers whose privileges were threatened. However, a central justification for a war that took the lives of around 500,000 Spaniards was that it was being fought to combat an alleged scheme for world domination by a non-existent 'Jewish- Masonic-Bolshevik Conspiracy'. Despite the fact that Spain had only a tiny minority of Jews and Freemasons, Franco and his inner circle were ardent believers in this fabricated conspiracy and spread the notion that the survival of Catholic Spain, as well, of course, of the establishment 's economic interests, required the total annihilation of Jews and Freemasons.
Architects of Terror is the story of how fake news, mendacity, corruption and nostalgia for lost empire generated violence and hatred. The book presents vivid portraits of the key ideologues who propagated the myth of the Jewish-Masonic-Bolshevik Conspiracy and of the military figures who implemented the atrocities that it justified. Among the convictions shared by these individuals was their belief in the idea that Freemasonry was responsible for Spain 's loss of empire and in the factual veracity of The Protocols of the Elders of Zion, the notorious fiction about the global domination of the Jews.
This is a history that reverberates in our own political moment
Art of Time, the Art of Place: Isaac Bashevis Singer and Marc Chagall - a Dialogue
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This book draws a comparison between two of the most prominent Jewish artists in the twentieth-century: Polish-born magician story-teller Isaac Bashevis-Singer (1904-1991) and Russian-born creator of visual magic Marc Chagall (1887-1985). In addition to their East European Jewish background both were exposed to Western culture. Chagall absorbed such turn-of-the-century avant-garde styles as Expressionism, Fauvism, Cubism, Abstract Art, Surrealism; from these he created a unique blend, to which he brought the various Russian influences he had absorbed and his own special highly imaginative and inventive personal style. Bashevis-Singer brought to his works philosophical, psychological, scientific, medical and legal knowledge. While both artists were affected by these Western influences, they remained firmly entrenched within the Jewish culture - the Yiddish language and life in the "shtetl" - from which they drew their inspiration. Their world consisted of a special blend of reality and dream, realism and fantasy. Ruth Dorot demonstrates that they shared, albeit unwittingly, a common "meta-realistic" style combining the earthly with the supernatural and the transcendental. Their works allude to real place names, dates, facts and historical events; but at the same time contain occult forces, angels, demons, mysticism and mystery. Comparisons range over the Jewish "shtetl", Jewish artists, Love and Despair, the Holocaust and war, religion and mysticism. In the works of both artists, hope springs eternal; it is a hope emanating from the mystical realm of life as it relates to the magic of creation and the cosmic logic of the Creator. Artist and story-teller sail between hard-core reality and the yearning for redemption, between Judaism and universal values, between exile and revelation.
At Memory's Edge: After-Images of the Holocaust in Contemporary Art and Architecture
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How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany's fraught efforts to memorialize the Holocaust. In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it. In exploring Germany's memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, which it never knew directly. Young examines the works of a number of vanguard artists in America and Europe--including Art Spiegelman, Shimon Attie, David Levinthal, and Rachel Whiteread--all born after the Holocaust but indelibly shaped by its memory as passed down through memoirs, film, photographs, and museums. In the context of the moral and aesthetic questions raised by these avant-garde projects, Young offers fascinating insights into the controversy surrounding Berlin's newly opened Jewish museum, designed by Daniel Libeskind, as well as Germany's soon-to-be-built national Holocaust memorial, designed by Peter Eisenman. Illustrated with striking images in color and black-and-white, At Memory's Edge is the first book in any language to chronicle these projects and to show how we remember the Holocaust in the after-images of its history.
The author, an observant Jew, has been a practicing attorney with a large international law firm for over 25 years, rendering him uncommonly positioned to speak of the beautiful and wondrous contours of Torah Judaism in a way that can be comfortably and seamlessly reconciled with deep immersion in our secular world. Through these Divrei Torah, the author displays an unbounded love and respect for the absolute truth and infinite elegance of the Torah even as he wrestles and comes to grips with the most challenging issues confronting us in today's world.
BROTHER HAGGADAH: MEDIEVAL SEPHARDI MASTERPIECE IN FACSIMILE
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Commissioned by wealthy patrons in the Middle Ages, the Haggadot are among the most beautifully decorated Hebrew manuscripts. The Brother Haggadah--so-called because of its close, fraternal relationship to the Rylands Haggadah in the collection of the John Rylands Library, Manchester--is one of the finest of these to have survived. Created by Sephardi (or "southern") artists and scribes in Catalonia in the second quarter of the fourteenth century, it sets out the liturgy and sequence of the Passover Seder.
This exquisitely produced facsimile of the "Brother" Haggadah is accompanied by an introduction by medieval scholar professor Marc Michael Epstein focusing on the historical background of the Passover and iconographic scheme of the manuscript; an essay on its provenance by Ilana Tahan, head of the Hebrew and Christian collections at the British Library; and an essay by Hebrew scholar Eliezer Laine that looks at the Shaltiel family, former owners of the manuscript.
The book also contains a translation of the poems and commentary in the manuscript by the late Raphael Lowe, former Goldsmid Professor of Hebrew at University College London, and a translation of the Haggadah liturgy.
This exquisitely produced facsimile of the "Brother" Haggadah is accompanied by an introduction by medieval scholar professor Marc Michael Epstein focusing on the historical background of the Passover and iconographic scheme of the manuscript; an essay on its provenance by Ilana Tahan, head of the Hebrew and Christian collections at the British Library; and an essay by Hebrew scholar Eliezer Laine that looks at the Shaltiel family, former owners of the manuscript.
The book also contains a translation of the poems and commentary in the manuscript by the late Raphael Lowe, former Goldsmid Professor of Hebrew at University College London, and a translation of the Haggadah liturgy.
The first major study to examine the rise to prominence of Jewish architects since 1945 and the connection of their work to the legacy of the Holocaust
Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this "new Jewish architecture."Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.
"You might come back, because you're young, but I will not come back."--Marceline Loridan-Ivens' father, speaking to her at the Drancy internment camp, April 1944 A runaway international bestseller, But You Did Not Come Back garnered rave reviews and features on hardcover publication, including a New York Times profile on the author. Hailed as an important new addition to the library of books dealing with the Holocaust, it is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested by the Vichy government's militia, along with her father. At the internment camp of Drancy, France, her father told her that he would not come back, preparing her for the worst. On their arrival at the camps, they were separated--her father sent to Auschwitz, she to the neighboring camp of Birkenau. The three kilometers that separated them were an insurmountable distance, and yet before he died in the camps, he managed to send her a small note, a sign of life that gave Marceline hope to go on. In But You Did Not Come Back, Marceline writes back to her father. The book is a letter to the man she would never know as an adult, to the person whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found a calling, working on behalf of many disenfranchised groups, both as an activist for Algerian independence and a documentary filmmaker. And now, as France and Europe face growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt.
"You might come back, because you're young, but I will not come back."--Marceline Loridan's father to her, 1944 A runaway bestseller in France, But You Did Not Come Back has already been the subject of a French media storm and hailed as an important new addition to the library of books dealing with the Holocaust. It is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested in occupied France, along with her father. Later, in the camps, he managed to smuggle a note to her, a sign of life that made all the difference to Marceline--but he died in the Holocaust, while Marceline survived. In But You Did Not Come Back, Marceline writes back to her father, the man whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found her calling, working as both an activist and a documentary filmmaker. But now, as France and Europe in general faces growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt.
"You might come back, because you're young, but I will not come back."--Marceline Loridan's father to her, 1944
A runaway bestseller in France, But You Did Not Come Back has already been the subject of a French media storm and hailed as an important new addition to the library of books dealing with the Holocaust. It is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested in occupied France, along with her father. Later, in the camps, he managed to smuggle a note to her, a sign of life that made all the difference to Marceline--but he died in the Holocaust, while Marceline survived. In But You Did Not Come Back, Marceline writes back to her father, the man whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found her calling, working as both an activist and a documentary filmmaker. But now, as France and Europe in general faces growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt.
A philosophical case against religious violence
We live in an age beset by religiously inspired violence. Terms such as "holy war" are the stock-in-trade of the evening news. But what is the relationship between holiness and violence? Can acts such as murder ever truly be described as holy? In Does Judaism Condone Violence?, Alan Mittleman offers a searching philosophical investigation of such questions in the Jewish tradition. Jewish texts feature episodes of divinely inspired violence, and the position of the Jews as God's chosen people has been invoked to justify violent acts today. Are these justifications valid? Or does our understanding of the holy entail an ethic that argues against violence? Reconstructing the concept of the holy through a philosophical examination of biblical texts, Mittleman finds that the holy and the good are inextricably linked, and that our experience of holiness is authenticated through its moral consequences. Our understanding of the holy develops through reflection on God's creation of the natural world, and our values emerge through our relations with that world. Ultimately, Mittleman concludes, religious justifications for violence cannot be sustained. Lucid and incisive, Does Judaism Condone Violence? is a powerful counterargument to those who claim that the holy is irrational and amoral. With philosophical implications that extend far beyond the Jewish tradition, this book should be read by anyone concerned about the troubling connection between holiness and violence.
This acclaimed novel imagining the life of Israeli soldier Shalom Nagar explores the legacy of the Holocaust: "A fascinating book that doesn't let you go" (Neue Deutschland, Germany). In May 1962, twenty-two men gathered in Jerusalem to decide by lot who would be Adolf Eichmann's executioner. These men had guarded the former Nazi SS lieutenant colonel during his imprisonment and trial, and with no trained executioners in Israel, it would fall to one of them to end Eichmann's life. Shalom Nagar, the only one among them who had asked not to participate, drew the short straw. Decades later, Nagar is living on the outskirts of Tel Aviv, haunted by his memory of Eichmann. He remembers watching him day and night, the way he ate, the way he slept--and the sound of the cord tensing around his neck. But as he tells and re-tells his story to anyone who will listen, he begins to doubt himself. When one of his friends, Moshe, reveals his link to Eichmann, Nagar is forced to reconsider everything he has ever believed about his past. In the tradition of postwar trauma literature that includes Günter Grass's The Tin Drum and Bernhard Schlink's The Reader, Eichmann's Executioner raises provocative questions about how we represent the past, and how those representations impinge upon the present. "Both curiously transparent and full of secrets, a simultaneously dense yet airy fabric of cryptic threads and references. . . . Nothing is gratuitous in this book, nothing coincidental; all is intricately interlaced." --Frankfurter Rundschau, Germany
From a long-time Guardian correspondent and editor, an expansive, authoritative, and balanced account of over a century of violent confrontation, war, and occupation in Palestine and Israel, published on the 100th anniversary of the Balfour Declaration and 50th anniversary of the Six-Day War
In Enemies and Neighbors, Ian Black, who has spent over three decades covering events in the Middle East and is currently a fellow at the London School of Economics, offers a major new history of the Arab-Zionist conflict from 1917 to today, published on the centenary of the Balfour Declaration.
Laying the historical groundwork in the final decades of the Ottoman Era, when the first Zionist settlers arrived in the Holy Land, Black draws on a wide range of sources--from declassified documents to oral histories to his own vivid on-the-ground reporting--to recreate the major milestones in the most polarizing conflict of the modern age from both sides. In the third year of World War I, the seed was planted for an inevitable clash: Jerusalem Governor Izzat Pasha surrendered to British troops and Foreign Secretary Lord Balfour issued a fateful document sympathizing with the establishment of "a national home for the Jewish people." The chronicle takes us through the Arab rebellion of the 1930s; the long shadow of the Nazi Holocaust; the war of 1948--culminating in Israel's independence and the Palestinian Nakba (catastrophe); the "cursed victory" of the Six-Day War of 1967 and the Palestinian re-awakening; the first and second Intifadas; the Oslo Accords; and other failed peace negotiations and continued violence up to 2017.
Combining engaging narrative with historical and political analysis and cultural insights, Enemies and Neighbors is both an accessible overview and a fascinating investigation into the deeper truths of a history that continues to dominate Middle Eastern politics and diplomacy--one which has preserved Palestinians and Israelis as unequal enemies and neighbors, their conflict unresolved as prospects for a two-state solution have all but disappeared.
Enveloped in Light: A Tallit SourcebookA teaching anthology, including all important information about the tallit (Jewish prayer shawl), including personal stories, academic articles, and halakhic norms. Essays, sermons, poems, and stories from authors including S.Y. Agnon, Yehuda Amichai, Rabbi Nina Beth Cardin, Rabbi Reuven Hammer, Rabbi Jack Riemer, Rabbi Mordecai M. Kaplan, and many others. Edited by Rabbis Dov Peretz Elkins and Steven Schwarzman.
Fifth Impossibility: Essays on Exile and Language
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A passionate exploration of language, censorship, and exile by the celebrated Romanian writer Norman Manea "Manea demonstrates that he is an indispensable analyst of what it means to be a Romanian, and a Romanian Jew, and a writer, under fascism and communism."--David Mikics, New Republic Deported to a concentration camp from 1941 until the end of World War II, Norman Manea again left his native Romania in 1986 to escape the Ceausescu regime. He now lives in New York. In this selection of essays, he explores the language and psyche of the exiled writer. Among pieces on the cultural-political landscape of Eastern Europe and on the North America of today, there are astute critiques of fellow Romanian and American writers. Manea answers essential questions on censorship and on linguistic roots. He unravels the relationship of the mother tongue to the difficulties of translation. Above all, he describes what homelessness means for the writer. These essays--many translated here for the first time--are passionate, lucid, and enriching, conveying a profound perspective on our troubled society.
Deported to a concentration camp from 1941 until the end of the war, Norman Manea again left his native Romania in 1986 to escape the Ceausescu regime. He now lives in New York. In this selection of essays, he explores the language and psyche of the exiled writer.
Among pieces on the cultural-political landscape of Eastern Europe and on the North America of today, there are astute critiques of fellow Romanian and American writers. Manea answers essential questions on censorship and on linguistic roots. He unravels the relationship of the mother tongue to the difficulties of translation. Above all, he describes what homelessness means for the writer.
These essays—many translated here for the first time—are passionate, lucid, and enriching, conveying a profound perspective on our troubled society.
In For Every Sin, Aharon Appelfeld, recounts the moving and unforgettable story of Theo, a young Holocaust survivor struggling to come to terms with his experience. A student when he was first imprisoned, Theo is a young man who has lost his family and friends and wants nothing more than to return to his home. In a desperate attempt to escape the pain of the camps, he sets out to walk across Europe, determined to remain alone until he has regained his strength. In the nightmarish world he enters, haunted by images from his past and continually reunited with fellow survivors, he is forced to come face to face with his own demons and the human condition from which he cannot escape.
Forevermore (Detective Pat O'Malley Historical Mysteries) (Volume 1) Paperback
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First Place Winner of the 2013 Chanticleer Book Award for Best Historical Mystery. Finalist in the Best Digital Fiction Award, New Generation Book Awards, 2014.In post Civil War New York City, Detective Pat O'Malley is living inside Poe's Cottage in the Bronx. O'Malley is haunted by Poe one night, and the detective finds a strange note. As a result, O'Malley decides to prove that Edgar Allan Poe did not die in Baltimore from an alcoholic binge but was, instead, murdered. O'Malley quickly becomes embroiled in a "cold case" that thrusts him into the lair of one of the most sinister and ruthless killers in 1865 New York City. Selected by the Library Journal for special choice in their "Self-E" indie book awards and distribution program.Jim Musgrave's "Forevermore" is a quick read in four acts that will keep your mind razor sharp trying to solve the mystery of Poe's murder. Pat O'Malley must first find out how to become intimate with females before he can discover the final clue in this puzzle of wits, murder and romance.
First Place Winner of the 2013 Chanticleer Book Award for Best Historical Mystery. Finalist in the Best Digital Fiction Award, New Generation Book Awards, 2014. In post Civil War New York City, Detective Pat O'Malley is living inside Poe's Cottage in the Bronx. O'Malley is haunted by Poe one night, and the detective finds a strange note. As a result, O'Malley decides to prove that Edgar Allan Poe did not die in Baltimore from an alcoholic binge but was, instead, murdered. O'Malley quickly becomes embroiled in a "cold case" that thrusts him into the lair of one of the most sinister and ruthless killers in 1865 New York City. Selected by the Library Journal for special choice in their "Self-E" indie book awards and distribution program. Jim Musgrave's "Forevermore" is a quick read in four acts that will keep your mind razor sharp trying to solve the mystery of Poe's murder. Pat O'Malley must first find out how to become intimate with females before he can discover the final clue in this puzzle of wits, murder and romance.
Fruit of the Vine: The Complete Guide to Kosher Wine
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There are thousands of books about wine, but this book is the one authoritative guide to the joys and uses of kosher wine. Whether you are looking for a wine to savor and celebrate a simcha, Shabbos or Yom Tov, you're sure to find just the right vintage here.
Rosenberg makes selecting the perfect wine as easy as tipping your glass. Which vintners are producing the most exciting vintages? Supplying a list of the very best kosher reds, whites and roses, along with his own personal wine list with ratings, Rosenberg advises you what food goes best with what particular wine. With illustrations and helpful sidebars, this book provides delicious ways to cook with wine, wine wisdom and even meaningful toasts.
Do you like a big Bordeaux or a crisp Chardonnay? A good wine, Maurie Rosenberg says, is the wine you like. Find your favorite kosher wine in this unprecedented guide.
Rosenberg makes selecting the perfect wine as easy as tipping your glass. Which vintners are producing the most exciting vintages? Supplying a list of the very best kosher reds, whites and roses, along with his own personal wine list with ratings, Rosenberg advises you what food goes best with what particular wine. With illustrations and helpful sidebars, this book provides delicious ways to cook with wine, wine wisdom and even meaningful toasts.
Do you like a big Bordeaux or a crisp Chardonnay? A good wine, Maurie Rosenberg says, is the wine you like. Find your favorite kosher wine in this unprecedented guide.
How the rabbis of the Talmud transformed everything into a legal question--and Jewish law into a way of thinking and talking about everything
Though typically translated as "Jewish law," the term halakhah is not an easy match for what is usually thought of as law. This is because the rabbinic legal system has rarely wielded the political power to enforce its many detailed rules, nor has it ever been the law of any state. Even more idiosyncratically, the talmudic rabbis claim that the study of halakhah is a holy endeavor that brings a person closer to God--a claim no country makes of its law. In this panoramic book, Chaim Saiman traces how generations of rabbis have used concepts forged in talmudic disputation to do the work that other societies assign not only to philosophy, political theory, theology, and ethics but also to art, drama, and literature. In the multifaceted world of halakhah where everything is law, law is also everything, and even laws that serve no practical purpose can, when properly studied, provide surprising insights into timeless questions about the very nature of human existence. What does it mean for legal analysis to connect humans to God? Can spiritual teachings remain meaningful and at the same time rigidly codified? Can a modern state be governed by such law? Guiding readers across two millennia of richly illuminating perspectives, this book shows how halakhah is not just "law" but an entire way of thinking, being, and knowing.
Hear Our Voices Women At Prayer - 52 Drawings With German/English Explanations
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A novel of ordinary, every day life in Israel during multiple plagues -- deadly flu, economic collapse, apocalyptic weather, and suicide bombings.
"It was an exceptional winter." With understatement, Orly Castel-Bloom draws back the curtain on her disturbing, revelatory novel set in Israel during the Al Aksa intifada. This is a world already regularly interrupted by terrorist ambushes and suicide bombs. And now it is further plagued--by a Saudi flu that is decimating the population, and by weather that brings a ruinous winter after eight years of drought. The economy is shot to pieces. Hail stones as big as dinner plates are falling from the sky. And yet, against this backdrop of monumental affliction, ordinary people are still trying to lead normal lives. Kati Beit-Halahmi, an impoverished cleaner, is snatched up by a community television program and given her full fifteen-minutes-of-fame. Iris Ventura, divorced with three children, is wondering how she can afford both to replace her broken washing machine and have some essential dental work done. And the Israeli president, Reuven Tekoa, travels from hospital to funeral, musing on the state of the nation from the back of his limousine. First published in 2002, Orly Castel-Bloom spins a web of filament-fine connections between her characters. Death or disaster might intrude at any moment, but people still watch game shows on TV, go to the laundromat and train to be beauticians. Holding a mirror up to her country, Castel-Bloom shows us a society in microcosm, struggling for continuity and normalcy in a fractured world. Sardonic, topical and wholly engrossing, this is a novel capturing the maelstrom of contradictions that is life today.
I Never Saw Another Butterfly: Children's Drawings and Poems from Terezin Concen
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A total of 15,000 children under the age of fifteen passed through the Terezin Concentration Camp between the years 1942-1944; less than 100 survived. In these poems and pictures drawn by the young inmates of Terezin, we see the daily misery of these uprooted children, as well as their courage and optimism, their hopes and fears. The ghetto of Terezin (Theresienstadt), located in the hills outside Prague, was an unusual concentration camp in that it was created to cover up the Nazi genocide of the Jews. Billed as the "Fuhrer's gift to the Jews, " this "model ghetto" was the site of a Red Cross inspection visit in 1944. With its high proportion of artists and intellectuals, culture flourished in the ghetto - alongside starvation, disease, and constant dread of transports to the death camps of the east. Every one of its inhabitants was condemned in advance to die. These innocent and honest depictions allow us to see through the eyes of the children what life was like in the ghetto. The children's poems and drawings, revealing maturity beyond their years, are haunting reminders of what no child should ever have to see. This expanded edition of I Never Saw Another Butterfly is published in cooperation with the United States Holocaust Memorial Museum in Washington, D.C.
I Want You to Know We're Still Here: A Post-Holocaust Memoir
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NATIONAL JEWISH BOOK AWARDS FINALIST - "Part personal quest, part testament, and all thoughtfully, compassionately written."--The Washington Post "Esther Safran Foer is a force of nature: a leader of the Jewish people, the matriarch of America's leading literary family, an eloquent defender of the proposition that memory matters. And now, a riveting memoirist."--Jeffrey Goldberg, editor in chief of The Atlantic NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR
Esther Safran Foer grew up in a home where the past was too terrible to speak of. The child of parents who were each the sole survivors of their respective families, for Esther the Holocaust loomed in the backdrop of daily life, felt but never discussed. The result was a childhood marked by painful silences and continued tragedy. Even as she built a successful career, married, and raised three children, Esther always felt herself searching. So when Esther's mother casually mentions an astonishing revelation--that her father had a previous wife and daughter, both killed in the Holocaust--Esther resolves to find out who they were, and how her father survived. Armed with only a black-and-white photo and a hand-drawn map, she travels to Ukraine, determined to find the shtetl where her father hid during the war. What she finds reshapes her identity and gives her the opportunity to finally mourn. I Want You to Know We're Still Here is the poignant and deeply moving story not only of Esther's journey but of four generations living in the shadow of the Holocaust. They are four generations of survivors, storytellers, and memory keepers, determined not just to keep the past alive but to imbue the present with life and more life.
**WINNER of the 2018 Sami Rohr Prize for Jewish Literature and the 2018 Sophie Brody Medal for achievement in Jewish literature**
**2018 Natan Book Award Finalist**
**Finalist for the 2017 National Jewish Book Award in Women's Studies **
The Wall Street Journal: "There is humor and heartbreak in these pages...Ms. Kurshan immerses herself in the demands of daily Talmud study and allows the words of ancient scholars to transform the patterns of her own life."