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Inheriting the Crown in Jewish Law: The Struggle for Rabbinic Compensation, Tenure, and Inheritance Rights
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In his legal history of the rabbinic profession from biblical to modern times, Jeffrey I. Roth traces the development of principles governing compensation and related benefits for rabbis, scholars, teachers, and judges under Jewish law. Roth focuses on the disconnect that evolved as rabbis wished to serve God and their communities yet needed to provide for the material needs of their families. He charts the shift from the Talmudic ideal of uncompensated service and follows the development of four material advantages sought by the rabbinic profession--compensation, protection against competition, principles of tenure in office, and inheritance rights.
Israel and the Struggle over the International Laws of War
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The author argues that Israel stands on the frontlines of a new struggle over the international laws of war and exposes abuses of law that have been promulgated by international human rights lawyers, UN bodies, and intellectuals to illegitimately circumscribe the right of liberal democracies to defend themselves against transnational terrorists. The Goldstone Report, which was published by the United Nations in September 2009, and the Gaza flotilla controversy, which erupted at the end of May 2010, are examples of those abuses. This book criticizes the flawed assumptions and defective claims arising from both the Goldstone Report and the Gaza flotilla controversy, showing how the legal principles and conclusions advanced by many of Israel's critics threaten not only Israel's national security interests but the United States' as well.
Traces the evolution of various forms of kabbalah, outlining the early period of biblical and talmudic cosmology and using ideas developed during the medieval era to set forth a kabbalistic view of the origins and structure of existence.
A unique reference to leading Jewish figures who helped shape the modern world
This superb collection presents more than forty incisive portraits of leading Jewish thinkers, artists, scientists, and other public figures of the last hundred years who, in their own unique ways, engaged with and helped shape the modern world. Makers of Jewish Modernity features entries on political figures such as Walther Rathenau, Rosa Luxemburg, and David Ben-Gurion; philosophers and critics such as Walter Benjamin, Hannah Arendt, Isaiah Berlin, Jacques Derrida, and Judith Butler; and artists such as Mark Rothko. The book provides fresh insights into the lives and careers of novelists like Franz Kafka, Saul Bellow, and Philip Roth; the filmmakers Joel and Ethan Coen; social scientists such as Sigmund Freud; religious leaders and thinkers such as Avraham Kook and Martin Buber; and many others. Written by a diverse group of leading contemporary scholars from around the world, these vibrant and frequently surprising portraits offer a global perspective that highlights the multiplicity of Jewish experience and thought. A reference book like no other, Makers of Jewish Modernity includes an informative general introduction that situates its subjects within the broader context of Jewish modernity as well as a rich selection of photos.
Why the genius of Jewish humor runs risks as well as rewards
Humor is the most celebrated of all Jewish responses to modernity. In this book, Ruth Wisse evokes and applauds the genius of spontaneous Jewish joking-as well as the brilliance of comic masterworks by writers like Heinrich Heine, Sholem Aleichem, Isaac Babel, S. Y. Agnon, Isaac Bashevis Singer, and Philip Roth. At the same time, Wisse draws attention to the precarious conditions that call Jewish humor into being-and the price it may exact from its practitioners and audience. Wisse broadly traces modern Jewish humor around the world, teasing out its implications as she explores memorable and telling examples from German, Yiddish, English, Russian, and Hebrew. Among other topics, the book looks at how Jewish humor channeled Jewish learning and wordsmanship into new avenues of creativity, brought relief to liberal non-Jews in repressive societies, and enriched popular culture in the United States. Even as it invites readers to consider the pleasures and profits of Jewish humor, the book asks difficult but fascinating questions: Can the excess and extreme self-ridicule of Jewish humor go too far and backfire in the process? And is "leave 'em laughing" the wisest motto for a people that others have intended to sweep off the stage of history?
Peggy Guggenheim: The Shock of the Modern
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A spirited portrait of the colorful, irrepressible, and iconoclastic American collector who fearlessly advanced the cause of modern art One of twentieth-century America's most influential patrons of the arts, Peggy Guggenheim (1898-1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and her museum on the Grand Canal in Venice remains one of the world's great collections of modern art. Yet as renowned as she was for the art and artists she so tirelessly championed, Guggenheim was equally famous for her unconventional personal life, and for her ironic, playful desire to shock. Acclaimed best-selling author Francine Prose offers a singular reading of Guggenheim's life that will enthrall enthusiasts of twentieth-century art, as well as anyone interested in American and European culture and the interrelationships between them. The lively and insightful narrative follows Guggenheim through virtually every aspect of her extraordinary life, from her unique collecting habits and paradigm-changing discoveries, to her celebrity friendships, failed marriages, and scandalous affairs, and Prose delivers a colorful portrait of a defiantly uncompromising woman who maintained a powerful upper hand in a male-dominated world. Prose also explores the ways in which Guggenheim's image was filtered through the lens of insidious antisemitism.
Perspectives of Psychological Operations (PSYOP) in Contemporary Conflicts: Essays in Winning Hearts and Minds
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This collection of essays provides analysis and commentary on: psychological warfare in the battle against terrorism, PSYOP techniques adopted by different Palestinian groups against Israel and actions that promote the Palestinian cause in the West, Israeli strategies for combating radical Islam, and Jewish perspectives on propaganda in the context of Israel's international image problems. PSYOP -- designed to influence the perceptions and attitudes of individuals, groups and foreign governments -- is still considered confidential by many defence organisations, hence the lack of publications that deal with the topic in a scientific, factual approach. Perspectives of PSYOP is a follow-on volume to the author's Psychological Warfare in the Intifada, adopted in the US Intelligence College as a textbook, and widely reviewed to critical acclaim.
Philo was a Hellenistic Jewish philosopher who left behind one of the richest bodies of work from antiquity, yet his personality and intellectual development have remained a riddle. Maren Niehoff presents the first biography of Philo, arguing that his trip to Rome in 38 CE was a turning point in his life. There he was exposed not only to new political circumstances but also to a new cultural and philosophical environment. Following the pogrom in Alexandria, Philo became active as the head of the Jewish embassy to Emperor Gaius and as an intellectual in the capital of the empire, responding to the challenges of his time and creatively reconstructing his identity, though always maintaining pride in the Jewish tradition. Philo's trajectory from Alexandria to Rome and his enthusiastic adoption of new modes of thought made him a key figure in the complex negotiation between East and West.
Preventing Palestine: A Political History from Camp David to Oslo
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On the fortieth anniversary of the Camp David Accords, a groundbreaking new history that shows how Egyptian-Israeli peace ensured lasting Palestinian statelessness
For seventy years Israel has existed as a state, and for forty years it has honored a peace treaty with Egypt that is widely viewed as a triumph of U.S. diplomacy in the Middle East. Yet the Palestinians--the would-be beneficiaries of a vision for a comprehensive regional settlement that led to the Camp David Accords in 1978--remain stateless to this day. How and why Palestinian statelessness persists are the central questions of Seth Anziska's groundbreaking book, which explores the complex legacy of the agreement brokered by President Jimmy Carter. Based on newly declassified international sources, Preventing Palestine charts the emergence of the Middle East peace process, including the establishment of a separate track to deal with the issue of Palestine. At the very start of this process, Anziska argues, Egyptian-Israeli peace came at the expense of the sovereignty of the Palestinians, whose aspirations for a homeland alongside Israel faced crippling challenges. With the introduction of the idea of restrictive autonomy, Israeli settlement expansion, and Israel's 1982 invasion of Lebanon, the chances for Palestinian statehood narrowed even further. The first Intifada in 1987 and the end of the Cold War brought new opportunities for a Palestinian state, but many players, refusing to see Palestinians as a nation or a people, continued to steer international diplomacy away from their cause. Combining astute political analysis, extensive original research, and interviews with diplomats, military veterans, and communal leaders, Preventing Palestine offers a bold new interpretation of a highly charged struggle for self-determination.
The Rarest Blue tells the incredible story of tekhelet, the elusive sky-blue color mentioned throughout the Bible. Minoans discovered it; Phoenicians stole it; Roman emperors revered it; and Jews--obeying a commandment to affix a thread of it to their garments--risked their lives for it. But as the Roman Empire dissolved, the color vanished. Then, in the nineteenth century, a marine biologist marveled as yellow snail guts smeared on a fisherman's shirt turned blue. But what had caused this incredible transformation? Meanwhile, a Hasidic master obsessed with the ancient technique posited that the source of the dye was no snail but a squid. Bitter controversy divided European Jews until a brilliant rabbi proved one side wrong. But had an unscrupulous chemist deceived them? In this richly illustrated book, Baruch Sterman brilliantly recounts the amazing story of this sacred dye that changed the color of history.
Rooted Cosmopolitans: Jews and Human Rights in the Twentieth Century
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A stunningly original look at the forgotten Jewish political roots of contemporary international human rights, told through the moving stories of five key activists The year 2018 marks the seventieth anniversary of two momentous events in twentieth-century history: the birth of the State of Israel and the creation of the Universal Declaration of Human Rights. Both remain tied together in the ongoing debates about the Israeli-Palestinian conflict, global antisemitism, and American foreign policy. Yet the surprising connections between Zionism and the origins of international human rights are completely unknown today. In this riveting account, James Loeffler explores this controversial history through the stories of five remarkable Jewish founders of international human rights, following them from the prewar shtetls of eastern Europe to the postwar United Nations, a journey that includes the Nuremberg and Eichmann trials, the founding of Amnesty International, and the UN resolution of 1975 labeling Zionism as racism. The result is a book that challenges long-held assumptions about the history of human rights and offers a startlingly new perspective on the roots of the Israeli-Palestinian conflict.
Well before Philip Roth in Portnoy's Complaint turned the special predicament of the American Jew into a long psychiatric joke, Friedman told the original story and got the first laugh. Stern is the story of a Jewish family displaced from the city to the suburbs, and more particularly, of the mild-mannered Every'man of the title, under siege in his new home, set upon by voracious caterpillars as well as shades of bigotry that range from the genteel snub to outright anti-Semitism. With masterly procrastination, Stern sets out to avenge one such incident at the hands of a beer-drinking neighbor.
Balefully funny, darkly antic, the genius of Bruce Jay Friedman lies in weaving a light but durable web of laughter over the abyss of contemporary American life. Originally published in 1962, Stern is a high comedy of enduring relevance.
The Blessing and the Curse: Jewish People and Their Books in the Twentieth Century
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Following The People and the Books, which "covers more than 2,500 years of highly variegated Jewish cultural expression" (Robert Alter, New York Times Book Review), poet and literary critic Adam Kirsch now turns to the story of modern Jewish literature. From the vast emigration of Jews out of Eastern Europe to the Holocaust to the creation of Israel, the twentieth century transformed Jewish life. The same was true of Jewish writing: the novels, plays, poems, and memoirs of Jewish writers provided intimate access to new worlds of experience.
Kirsch surveys four themes that shaped the twentieth century in Jewish literature and culture: Europe, America, Israel, and the endeavor to reimagine Judaism as a modern faith. With discussions of major books by over thirty writers--ranging from Franz Kafka to Philip Roth, Elie Wiesel to Tony Kushner, Hannah Arendt to Judith Plaskow--he argues that literature offers a new way to think about what it means to be Jewish in the modern world. With a wide scope and diverse, original observations, Kirsch draws fascinating parallels between familiar writers and their less familiar counterparts. While everyone knows the diary of Anne Frank, for example, few outside of Israel have read the diary of Hannah Senesh. Kirsch sheds new light on the literature of the Holocaust through the work of Primo Levi, explores the emergence of America as a Jewish home through the stories of Bernard Malamud, and shows how Yehuda Amichai captured the paradoxes of Israeli identity.
An insightful and engaging work from "one of America's finest literary critics" (Wall Street Journal), The Blessing and the Curse brings the Jewish experience vividly to life.
An international best seller and winner of the German Book Prize, The Blindness of the Heart is a dark marvel of a novel by one of Europe's freshest young voices--a family story spanning two world wars and several generations in a German family. In the devastating opening scene, a woman named Helene stands with her seven-year-old son in a provincial German railway station in 1945, amid the chaos of civilians fleeing west. Having survived with him through the horror and deprivation of the war years, she abandons him on the station platform and never returns. The story quickly circles back to rural Germany and Helene's childhood, which came to an abrupt end with the outbreak of the First World War. Her father is sent to the eastern front, and her Jewish mother withdraws from the hostility of her surroundings into a state of mental confusion. As we follow Helene into adulthood, we watch riveted as the costs of survival and ill-fated love turn her into a woman capable of the unforgiveable.
"Engaging . . . Yehoshua is a master in his visual sketches of scenes." --New York Times Book Review
"[A] finely etched new novel . . . A marvel of a book." -- Haaretz? "Four and a half decades after his first book's publication, his twentieth shows Yehoshua's writing chops are undiminished and his content fearlessly topical." -- New York Journal of Books Noga, forty-two and divorced, is a harpist with an orchestra in the Netherlands. Upon the sudden death of her father, she is summoned home to Jerusalem by her brother to help make decisions in urgent family and personal matters. Returning also means facing a former husband who left her when she refused him children, but whose passion for her remains even though he is remarried and the father of two. For her imposed three-month residence in Israel, her brother finds her work as an extra in movies, television, and opera. These new identities undermine the firm boundaries of behavior heretofore protected by the music she plays, and Noga, always an extra in someone else's story, takes charge of the plot. The Extra is Yehoshua at his liveliest storytelling best--a bravura performance. "Rich in reflection and personal truth . . . Masterful." -- Kirkus Reviews, starred review "Award-winning Israeli novelist Yehoshua gives moral force, even grandeur, to the inevitable push-pull of one family's life." -- Library Journal, starred review
This novel is based on an actual invitation from the Saudi Arabian government to the author to serve as a surgeon in Riyadh, Saudi Arabia. Dr. Rob Savarin, a Board-Certified surgeon, is completing his residency in colo-rectal surgery when such an invitation arrives unexpectedly. The problem is that Dr. Savarin is not only Jewish but also Orthodox and a devout Zionist. The offer is quite enticing, as in his "Walter Mitty" personality he fantasizes about acting as an agent for the Israeli Mossad. After Rob accepts the post, the Saudi Defense Minister, and number one in line for the Saudi throne, ruptures his colon, and Dr. Savarin becomes not only his surgeon but also friend and adviser. Through a series of exciting events, the Prince is blackmailed by the Mossad. The ensuing negotiations yield a partnership between Israel and the Sunni nations in a battle against nuclear Iran. As the newly united nations prepare to launch a stealth attack against Iran, despite resistance from the U.S. and UN, Rob wages his own war in the treacherous areas of love and long-lost family.
The eighth of Aharon Appelfeld's brilliantly original novels to be published in English, The Healer is a remarkable story about faith and faithlessness among European Jews on the eve of World War II. Felix Katz is a Viennese businessman whose life is choked by suppressed rage and intolerance for those who have faith. When conventional methods fail to cure his daughter's emotional illness, Felix in desperation agrees to travel with his family to the Carpathian Mountains in search of a famous healer. Months later, after being snowbound in a rural Jewish village that sustains itself on faith, Felix returns to a Vienna plagued by the disease of anti-Semitism. The Healer wonderfully combines elements of fable with the complex sensibility of a great modernist writer sensitive to the overbearing moral issues of our time.
The eighth of Aharon Appelfeld's brilliantly original novels to be published in English, The Healer is a remarkable story about faith and faithlessness among European Jews on the eve of World War II. Felix Katz is a Viennese businessman whose life is choked by suppressed rage and intolerance for those who have faith. When conventional methods fail to cure his daughter's emotional illness, Felix in desperation agrees to travel with his family to the Carpathian Mountains in search of a famous healer. Months later, after being snowbound in a rural Jewish village that sustains itself on faith, Felix returns to a Vienna plagued by the disease of anti-Semitism. The Healer wonderfully combines elements of fable with the complex sensibility of a great modernist writer sensitive to the overbearing moral issues of our time.
The untold story of the founding father's likely Jewish birth and upbringing--and its revolutionary consequences for understanding him and the nation he fought to create
In The Jewish World of Alexander Hamilton, Andrew Porwancher debunks a string of myths about the origins of this founding father to arrive at a startling conclusion: Hamilton, in all likelihood, was born and raised Jewish. For more than two centuries, his youth in the Caribbean has remained shrouded in mystery. Hamilton himself wanted it that way, and most biographers have simply assumed he had a Christian boyhood. With a detective's persistence and a historian's rigor, Porwancher upends that assumption and revolutionizes our understanding of an American icon. This radical reassessment of Hamilton's religious upbringing gives us a fresh perspective on both his adult years and the country he helped forge. Although he didn't identify as a Jew in America, Hamilton cultivated a relationship with the Jewish community that made him unique among the founders. As a lawyer, he advocated for Jewish citizens in court. As a financial visionary, he invigorated sectors of the economy that gave Jews their greatest opportunities. As an alumnus of Columbia, he made his alma mater more welcoming to Jewish people. And his efforts are all the more striking given the pernicious antisemitism of the era. In a new nation torn between democratic promises and discriminatory practices, Hamilton fought for a republic in which Jew and Gentile would stand as equals. By setting Hamilton in the context of his Jewish world for the first time, this fascinating book challenges us to rethink the life and legend of America's most enigmatic founder.
A groundbreaking historical reexamination of one of the most infamous episodes in the history of anti-Semitism
Joseph Süss Oppenheimer--"Jew Süss"--is one of the most iconic figures in the history of anti-Semitism. In 1733, Oppenheimer became the "court Jew" of Carl Alexander, the duke of the small German state of Württemberg. When Carl Alexander died unexpectedly, the Württemberg authorities arrested Oppenheimer, put him on trial, and condemned him to death for unspecified "misdeeds." On February 4, 1738, Oppenheimer was hanged in front of a large crowd just outside Stuttgart. He is most often remembered today through several works of fiction, chief among them a vicious Nazi propaganda movie made in 1940 at the behest of Joseph Goebbels. The Many Deaths of Jew Süss is a compelling new account of Oppenheimer's notorious trial. Drawing on a wealth of rare archival evidence, Yair Mintzker investigates conflicting versions of Oppenheimer's life and death as told by four contemporaries: the leading inquisitor in the criminal investigation, the most important eyewitness to Oppenheimer's final days, a fellow court Jew who was permitted to visit Oppenheimer on the eve of his execution, and one of Oppenheimer's earliest biographers. What emerges is a lurid tale of greed, sex, violence, and disgrace--but are these narrators to be trusted? Meticulously reconstructing the social world in which they lived, and taking nothing they say at face value, Mintzker conjures an unforgettable picture of "Jew Süss" in his final days that is at once moving, disturbing, and profound. The Many Deaths of Jew Süss is a masterfully innovative work of history, and an illuminating parable about Jewish life in the fraught transition to modernity.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY
Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that Adler has restored hope to modern literature, and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as modernist masterpieces by The New Yorker. Now his magnum opus, The Wall, the final installment of Adler s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English.
Drawing upon Adler s own experiences in the Holocaust and his postwar life, The Wall, like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents fates, then crosses the border and leaves his homeland for good.
Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he s left behind.
The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again.
Praise for The Wall
[A] majestic novel . . . Adler s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy. Cynthia Ozick, The New York Times Book Review
A towering meditation on the self and spirit. . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word. Publishers Weekly (starred review)
Masterful and utterly unique. The Jerusalem Post
Haunting and utterly heart-wrenching . . . a literary masterpiece. Historical Novels Review
An epic novel . . . an unforgettable portrait. The Jewish Week
[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering and perhaps of redemption as well. Kirkus Reviews
Praise for H. G. Adler s novels The Journey and Panorama, translated by Peter Filkins
Modernist masterpieces worthy of comparison to those of Kafka or Musil. The New Yorker
Haunting . . . as remarkable for its literary experimentation as for its historical testimony. San Francisco Chronicle, on Panorama"
Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that Adler has restored hope to modern literature, and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as modernist masterpieces by The New Yorker. Now his magnum opus, The Wall, the final installment of Adler s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English.
Drawing upon Adler s own experiences in the Holocaust and his postwar life, The Wall, like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents fates, then crosses the border and leaves his homeland for good.
Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he s left behind.
The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again.
Praise for The Wall
[A] majestic novel . . . Adler s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy. Cynthia Ozick, The New York Times Book Review
A towering meditation on the self and spirit. . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word. Publishers Weekly (starred review)
Masterful and utterly unique. The Jerusalem Post
Haunting and utterly heart-wrenching . . . a literary masterpiece. Historical Novels Review
An epic novel . . . an unforgettable portrait. The Jewish Week
[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering and perhaps of redemption as well. Kirkus Reviews
Praise for H. G. Adler s novels The Journey and Panorama, translated by Peter Filkins
Modernist masterpieces worthy of comparison to those of Kafka or Musil. The New Yorker
Haunting . . . as remarkable for its literary experimentation as for its historical testimony. San Francisco Chronicle, on Panorama"
Insights on Parshat Hashavua from conversations between a Bat Mitzvah girl and her father over the course of a year. Techelet Baumol took upon herself the innovative idea to write her own interpretations of Torah based on studying with Rabbi Avi Baumol. Rabbi Baumol also included his interpretations for each parsha.
Warner Bros: The Making of an American Movie Studio
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Behind the scenes at the legendary Warner Brothers film studio, where four immigrant brothers transformed themselves into the moguls and masters of American fantasy Warner Bros charts the rise of an unpromising film studio from its shaky beginnings in the early twentieth century through its ascent to the pinnacle of Hollywood influence and popularity. The Warner Brothers--Harry, Albert, Sam, and Jack--arrived in America as unschooled Jewish immigrants, yet they founded a studio that became the smartest, toughest, and most radical in all of Hollywood. David Thomson provides fascinating and original interpretations of Warner Brothers pictures from the pioneering talkie The Jazz Singer through black-and-white musicals, gangster movies, and such dramatic romances as Casablanca, East of Eden, and Bonnie and Clyde. He recounts the storied exploits of the studio's larger-than-life stars, among them Al Jolson, James Cagney, Bette Davis, Errol Flynn, Humphrey Bogart, James Dean, Doris Day, and Bugs Bunny. The Warner brothers' cultural impact was so profound, Thomson writes, that their studio became "one of the enterprises that helped us see there might be an American dream out there."